Shotbot death scnene1/31/2024 Instead, he's actually trying to get information, and he's understanding. "Instead," says Henry, "I wanted it to be, yes, a teenage girl who's gone through something traumatic, but Geralt's not biting every time Ciri has a moment where she's upset or she's lashing out. It would have been easy to pit them against each other, like a surly teenager with her impatient father. So I campaigned for him to be a bit more verbose, and to have more to say." Key to this was the paternal relationship that Geralt forms with Ciri. "But I just wanted him to be represented properly, rather than be a kind of grumpy-snowman-in- Shrek type of character. "You can't give Geralt more, as far as the storyline goes," Cavill adds. That's a tricky thing to do, because the plot, as Lauren has said, is very centred around bringing women into the centre of The Witcher." "On season two, I wanted to bring as much of 'Book' Geralt into the show that Lauren's vision and that the plot would allow. And Henry himself was instrumental in making this happen. In a strange turn of events, these restrictions on human interaction came around the same time that Geralt finally starts to open up within the story. "I'm not saying 'unbearable'," he continues, "but you start to feel the effect, for sure, especially on a tough shoot." "It's just respect and good manners," Cavill recently explained to The Hollywood Reporter, so with that in mind, it's clear why he found this experience so "taxing". Henry is notorious for starting each day of filming with a hello and a handshake for each crew member, going out of his way to ask everyone how their day is going. "I'm not saying unbearable, but you start to feel the effect, for sure, especially on a tough shoot." ![]() I think the most difficult thing about the whole pandemic of it all was, honestly, everyone wearing masks on set." They can see my face, but I can't see their face, so I'm missing a lot of the normal human signals you get. "I would say that Geralt has a fairly straightforward storyline for season two, in comparison to Cirilia and Yennefer." Instead, what Cavill struggled with most was the lack of human connection on set. With all this going on, you'd think that the cast might have struggled to keep up with their new character arcs still, even if they are "a bit leaner" this time round. After two COVID-related production delays hit season two early on, Cavill tore his hamstring on set in December 2020. And I think that's a good thing."īehind the scenes was a different story though. Like a Jaskier fan sitting front row at his latest gig, the writers listened hard to these critiques, and in response, they've developed a far more linear approach to the storytelling in season two. To keep up with it is tricky."īut season two is a different beast entirely. Even if you know the lore, it's two of the characters in a completely original story. "It's tough to keep track of those things, especially when you're following three different characters. Much of the criticism levelled at this show so far has revolved around those confusing timelines that slosh together like the water in a Witcher's bathtub - to which Henry says, "That's absolutely fair." So when even Henry says season one of The Witcher was "tricky" to keep up with, you should take him at his word. When he's not training or starring in blockbuster movies, Henry replays the games over and over on the hardest possible setting.Īnd hell, if The Witcher had come around before Superman made him a megastar, Cavill would have probably named his dog Roach instead of Kal. ![]() This is the man who tirelessly campaigned to become The Witcher on screen. And no, we don't mean he just casually reads the books.
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